Cover photograph: Stephen Mallon / Getty Images
Kirsty is supporting two kids and an unemployed husband (Jim) as a reporter for a London newspaper and she travels to Whitmouth to cover the murder. The third female murder during that summer.
The descriptive scenes of Amber's wretched work environment as a cleaner and her co-workers who are have the visage of run-down workers from the economy portray Whitmouth's poverty. The paper Kirsty works for wants Kirsty to report for the Sunday edition on how to make their readers feel better about their lives. Her paper claims "…No town where a killer is on the loose is allowed to be a nice town; it’s an unwritten law." Whitmouth is a town in economic recession and its growth is based on drunken visitors on short holiday spurts. It makes her job a bit challenging.
Kirsty and Amber meet all these years later under very believable circumstances.
Jim and Kirsty throw a dinner "networking-employment" party for Jim and one of the guests had voiced himself on the serial murders that are going on and crime in general that ended with juvenile offenders being "little monsters" and should be locked up before there's any more victims from them.
The girls were tried and convicted and sent to different juvenile facilities and were ordered never to see each other again. Ever. Kirsty has not told Jim or their kids about her past.
The novel portrays Kirsty and Amber as productive, caring, loving adults and keeps you guessing on who is committing these murders. Well, with that thought, there is Martin.
As kids, Kirsty and Amber were of different social classes and how Marwood alternated present day chapters with those chapters that were set in the past shifting from Kirsty and Amber the reader might think their adult social class roles would have been the same but....
You read that Kirsty and Amber were both abused as kids and did they grow into being adult murderer's? Those two kids that had abducted and killed a four year old? Or was is it a complete innocent misjudgement on whose part - theirs?, societies?, both? Marwood leaves you thinking and pondering who really is the victim? even though you read who the killer is. Alex Marwood has a great novel here that has a twisted climax ending that you do not see coming.
About the author ~
Serena Mackesy is the daughter of the Scots-born Oxford military historian Piers Mackesy. She is also the granddaughter on her mother's side of the novelist Margaret Kennedy and on her father's side of Leonora Mackesy (born 1902), who wrote Harlequin romances as Leonora Starr and Dorothy Rivers.
She grew up on the Oxfordshire/Gloucestershire borders and went to school in Oxford, where she gained a University of London degree in English literature from Manchester College, Oxford.
Mackesy worked variously in offices, as an English teacher and on door-to-door sales before, as she told an interviewer in 2000: "I arrived at The Independent as a temp to cover for the secretary on the TV listings page... for a couple of weeks, realised I'd found somewhere I enjoyed and somehow never left.... I think the first writing I did was little potted movie previews on the weekend TV spread. The first thing anyone seemed to actually notice was a small daily bar review I used to write when the paper had a London supplement." By 1997 she was a regular columnist.
As a child Serena Mackesy was a keen rider. She has described Malta as her favourite place in the world.
Mackesy established her reputation with the novel The Temp (1999). This went into the Sunday Times Top Ten on publication. Since then she has published Virtue (2000), Simply Heaven (2002), and Hold My Hand (2008).
In 2012 she adopted the pseudonym Alex Marwood with the publication of the psychological thriller The Wicked Girls. This became a word-of-mouth bestseller in the UK, and was translated into 17 languages. It was included in Stephen King's Entertainment Weekly list of "The Ten Best Books I read this year" in 2013 and was shortlisted for an ITW award in the same year. The book won the Edgar Allan Poe Award (best paperback original) in 2014 and is also shortlisted for the Macavity and Anthony awards in the United States. A follow-up, The Killer Next Door, was published in 2014 to critical acclaim.
Work of Mackesy's has been translated into 19 languages. Writers she admires include Kurt Vonnegut, C. S. Lewis (Narnia series), John Donne and the "other" Elizabeth Taylor (Angel).